GLHF

[Intro — clean guitar, 16th-note arpeggio motif, ambient pads, no drums] [Verse 1 — screamed, 4/4 syncopated 16th djent groove, staccato palm mutes, narrow range] Static in the marrow Another signal in the dark We measured out the silence In increments of sparks [Pre-Chorus — half-time, rising tension, screams climbing stepwise] Hold the line, hold the line Everything is breaking clean Hold the line, hold the line Nothing here is what it seems [Chorus — clean vocals, melody leaps up a fourth then holds long notes, layered harmonies] Say it louder — I can't hear the fall We were only ever halfway home Say it louder — let the skyline burn I would rather break than let it go [Verse 2 — screamed, one 7/8 bar inserted, choppier phrasing] Every door was open Every window painted shut We wrote our names in concrete Just to watch them come undone [Pre-Chorus — half-time, heavier, screams climbing] Hold the line, hold the line Everything is breaking clean Hold the line, hold the line Nothing here is what it seems [Chorus — clean vocals, wider interval leaps, harmonized thirds] Say it louder — I can't hear the fall We were only ever halfway home Say it louder — let the skyline burn I would rather break than let it go [Thump Section — 7/8, percussive slap-and-thump guitar, bass and drums only, no vocals] [Guitar Solo — fluid legato, aeolian, melodic first then tapping, builds in intensity] [Bridge — ambient, clean guitar, no drums, spoken then screamed] (spoken, distant) Reset. Rebuild. Repeat. (screamed, rising) THERE IS NOTHING LEFT TO RESET [Final Chorus — clean vocals double-tracked with screamed layer, full harmony, maximum intensity] Say it louder — I can't hear the fall We were only ever halfway home Say it louder — let the skyline burn I would rather break than let it go [Outro — clean guitar returns, motif reprised, fading, no vocals]