《渡己》词/曲：赵晓瑜

Style: String-driven lyrical pop with world music elements Instrumentation: Lyric tenor + 4-part mixed choir + string orchestra Overall: Calm, introspective, slightly melancholic Rhythm: 4/4, slow (♩= 58–64) Timbre: Warm, transparent, narrative [Intro]: No choir, no vocals D minor, ♩= 60, 4/4 Heavy strings (D–F–E–D), first violin response, piano single notes [Verse 1]: Solo tenor enters, 4-part choir hums very soft D minor, ♩= 60 [Chorus 1]: Solo tenor, choir underneath D minor → brief F major, ♩= 64–66 Full strings, soft timpani roll [Verse 2]: Solo tenor, choir hums "mm" D minor → D Dorian, ♩= 60 Sustained strings, ney flute melody, shakuhachi enters [Interlude]: String quartet dialogues with harp, violin variation, kalimba plucking D Dorian, ♩= 60 [Chorus 2]: 4-part choir answers tenor D minor → brief G minor, ♩= 66–68 String tremolo, timpani roll, cello closes 《渡己》 [Intro] 让人沉醉的不是酒， 让人不舍的带不走。 风吹过，不停留， 水流过，不回头。 让人梦见的不长久， 让人心动的不常有。 如往事，难回首， 如缘分，莫强求。 [Chorus] 什么时候学会了忍受， 什么时候懂得了迁就。 如果承诺给不了自由， 那沉默，算不算是分手？ [Verse] [Interlude] 让人回忆的是怀旧， 让人流泪的是离愁。 望秋水，依长天， 霜满月，风凉透。 向往曾经是种奢求， 风过耳畔留下自由。 若沉默，是选择， 错过了，别回头。 [Chorus] 得到失去丢掉了什么？ 纠结徘徊延长了等候。 因为所以蒙骗了结果， 到头来，谁也不知可否。 [Outro] 风过耳畔，细雨残留， 人生自渡，心海泛舟！